Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Sunday, April 27, 2014

Walther's Hymnal

So I had a slight A to Z Challenge slip-up by not posting last night, but since Sundays are free days, I figured I could get away with waiting to post until today.

By this point in the month, I had hoped to explore Walther's Hymnal in depth, but that didn't happen.  Even though I'm not as familiar with it as I had hoped to be, I would still highly recommend this book as a must-have resource for the church musician and anyone who is interested in church music.

This book is an English translation of the German-language hymnal, published in 1847, that C.F.W. Walther put together for Trinity Congregation in St. Louis.  While it doesn't include all of the liturgical resources that the original did, it still includes translations of all the hymns, the order of service, prayers, and selected readings.  It also includes a brief historical introduction and music to tunes that aren't found in The Lutheran Hymnal, Lutheran Worship, or Lutheran Service Book (LSB).

Some of the hymns are still used in modern hymnals, but unfortunately, many have fallen out of use.  I spent a little bit of time reflecting on some of the hymns in the "Passion of Christ" section.  One of the hymns, which isn't in LSB, really caught my attention.  Because the translation is copyrighted, I won't print the text of it here, but if you can get your hands on a copy of Walther's Hymnal, translated and edited by Matthew Carver, it is listed as hymn 72.  It's a beautiful hymn that ties Christ's passion to our salvation and is a great hymn for Good Friday.  Because of the fifth and final stanza's reference to our own death and the hope we have of eternal life, I also think that it would work well as a funeral hymn.

I can't wait to explore this resource in greater depth and I would encourage anyone interested to consider adding Walther's Hymnal to his or her library!

Tuesday, April 22, 2014

The Singing Church

Back at the beginning of the month, I posted some thoughts about how people in the church do not speak up when confessing the liturgy. Likewise, people don't sing in church; instead, they mumble the words and make a feeble attempt to sing any sort of note.  Guess what?  As a church musician, I'm giving you permission to sing out, even if you can't sing on pitch!  The point of song in the church isn't to showcase one's singing talent.  It's to reinforce what is being taught and preached through the Word and Sacrament.  Plus, it's a great way to be reminded of what we believe.  I've heard pastors say that when a person is old and his or her memory, including the names of loved ones, is fading, he or she can still sing favorite hymns and parts of the liturgy.  What a beautiful thing to be able to hold on to!

Monday, April 21, 2014

Recital

One year ago yesterday, I performed my senior organ recital.  I thought I'd commemorate the anniversary by posting a clip.  This piece, entitled "Quinquagesima", is three-voice fugue I wrote for my composition class. Derived from Latin, quinquagesima means fifty.  The title fits well because my fugue has a theme of fives:  there are five flats in the key signature, the time signature is five four, the fugue subject is five measures long, and the piece has fifty-some measures.  While it remained unnamed in initial drafts, I finally titled it last February, near the time of year that Quinquagesima, the Sunday before Ash Wednesday, occurs in the church. Enjoy!


Friday, April 4, 2014

Delving into Hymnody: If God Himself Be for Me

Today I'm starting a hymn series on "If God Himself Be for Me" (LSB 724).  I'll be posting thoughts on one stanza each Friday throughout the remainder of the A to Z Challenge.  To start, here's a little background:

I was first introduced to this hymn when I played organ for this year's New Year's Eve service and it's quickly become one of my favorites.  Based on the text of Romans chapter eight, translations of this hymn appear in some 35 English-language hymnals.  The text, first published in 1656, was written by Paul Gerhardt.  Born on March 12, 1607, he was Lutheran pastor in and around Berlin until his death on June 7, 1676.  A prolific hymn-writer, Gerhardt has become a beloved figure from the early period of Lutheran hymnody.

The tune most often used with Gerhardt's hymn, IST GOTT FÜR MICH, takes it's name from the first line of the German text.  Since it is originally taken from a hymnal published in Augsburg in 1609, I don't know how this tune came to be associated with this hymn .  In fact, I found it interesting that the tune used in Walther's hymnal is the tune that is most often used with "All Glory, Laud, and Honor" (VALET WILL ICH DIR GEBEN).

While I like VALET WILL ICH DIR GEBEN, I feel that IST GOTT FÜR MICH fits the text of "If God Himself Be for Me" much better.  It's in d minor, which is an ideal mode for being all dark and gravelly on the organ.  Plus, I love throwing in a triumphant picardy third on the final verse!


Sources:
Lutheran Service Book (CPH, 2006)
Walther's Hymnal (CPH, 2012)

Saturday, February 2, 2013

Preparing for Lent

One of the classes I'm taking this semester is all about preparing soon-to-be Directors of Parish Music to enter the field.  One of the topics we recently covered in class was newsletter and bulletin inserts.  As we as a church prepare to enter the season of Lent, a meditation on our own sinfulness and Christ's saving work done to redeem us, I wrote these informative sample blurbs for my class assignment.


What is a Tenebrae service?

The word Tenebrae is Latin for “darkness.”  In the Middle Ages, Tenebrae services were held in the evenings during Holy Week, prior to the Triduum (Maundy Thursday, Good Friday, and Easter Vigil).  Today, Tenebrae services are held on Good Friday.  The service usually includes seven to ten Scripture readings followed by silent time for reflection and the singing of all or part of a hymn.  Readings from the Passion Narrative are typically used, although traditionally the readings were taken from various Psalms.  After each reading, a candle is extinguished.  Once the sanctuary is dark, the service concludes with the strepitus, a loud noise (often a book slamming shut) representing the tearing of the Temple curtain and the closing of Christ’s tomb.  In some churches, one candle, the eternal light, is carried out of the sanctuary until the Easter Vigil.  The people then leave in silence. 

What are the Pre-Lent services?

Although in the three-year lectionary the Transfiguration is celebrated at the end of the season of Epiphany, the one-year lectionary celebrates it several weeks earlier to allow for three Pre-Lent Sundays.  These Sundays are in preparation for the Lenten season and include Christ’s foretelling of His death and resurrection from Luke 18.  We often call these Sundays by Greek terms, Septuagesima (“seventy days”), Sexagesima (“sixty days”), and Quinquagesima (“fifty days”).  While Quinquagesima is fifty days before Easter, the other two Sundays are not exactly seventy or sixty days from Easter. 

Hymn of the Month: LSB 419
This month we explore the Lenten hymn “Savior, When in Dust to Thee” by Robert Grant, a British hymn writer who spent much of his life in India.  The text of this hymn poetically depicts Christ’s saving work for us in the midst of our hopeless sinfulness.  God calls to us to repentance (Ezek. 18:30–32) and so we implore at the end of every stanza “[h]ear our penitential cry!”   Thanks be to God that He has sent His Son to redeem us and wash away all of our sin!
In the first stanza, we sing of our repentance “in dust and ashes” (Job 42:6).  Like the tax collector in Jesus’ parable who “would not even lift up his eyes to heaven,” we sing of how “to the skies scarce we lift our weeping eyes” (Luke 18:13; stz. 1).
Christ, who is God, began His redeeming work of us sinners from the moment He came down to earth.  In stanza two, we remember the humility of His birth at Bethlehem (Luke 2:1–7) and His temptation in the wilderness (Matt. 4:1–11).
Stanza three has us recall the events of Holy Week.  We reflect on Jesus’ prayer at Gethsemane (Mark 14:32–42) and His crucifixion and death (Mark 15:21–39; John19:31–37).
At the end of this stanza we, with David, humbly say “be gracious to me, O Lord, for to you do I cry all the day” (Ps. 86:3).  How wonderful it is that He has heard our cry!
The final stanza of this hymn gives us a glimpse forward beyond the crucifixion.  Here, we sing of Christ’s death (Luke 23:46), His burial (Luke 23:53), His resurrection (Luke 24:5–6), and His ascension into heaven (Luke 24:50–53).  While our focus during Lent is on penitence and remembering that Christ came down to bear our sins, we cannot forget that He rose, and because He rose, we too shall rise!

Online sources:
-  Lex Orandi:  Pre-Lent
-  Hymnary:  Robert Grant

Print Resources:
-  Lutheran Service Book
-  Gathered Guests, 2nd ed.